Banksy Sneaks Into Gaza To Create Controversial Street Art

After teasing us with a single shot on Instagram, Banksy finally revealed the location of the first piece which is Gaza in Palestine.

Inspired by a sculpture of Niobe, a Greek mythological figure, the first piece is entitled “Bomb Damage” and obviously with Banksy, the placement is just on point.

Niobe’s children were killed out of spite and then in her mourning she turned into a stone that was constantly weeping.

Banksy, a street artist revered by thousands for his ability to express powerful messages and capture our attention, has finally addressed arguably the most controversial topic he could have possibly used his art to comment on – the Israeli-Palestinian conflict and the Gaza strip.

In a mock tourism video [scroll down for video] the mysterious artist released on his website, he gives us glimpses into the tunnels he used to sneak into Gaza and the locations of his artwork, along with some brief interviews with locals.

The artwork, along with the commentary laced throughout the video and his website, underscores the suffering endured by the people in Gaza and expresses the artist’s exasperation with the apathy he sees in the rest of the world.

Whether or not you agree with Banksy’s stance on the conflict, he has once again reminded us why he’s so famous – because his pictures are worth more than even 1,000 words.

Gaza and the locations of his artwork:


“A local man came up and said ‘Please – what does this mean?’ I explained I wanted to highlight the destruction in Gaza by posting photos on my website – but on the internet people only look at pictures of kittens”


“Gaza is often described as ‘the world’s largest open air prison’ because no-one is allowed to enter or leave. But that seems a bit unfair to prisons – they don’t have their electricity and drinking water cut off randomly almost every day”


See also: 11 Mindblowing Facts That Will Completely Change Your Perspective On The World

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See also: 10 Pictures That Compare Life Today With How It Used To Be


The views and opinions expressed in this article are those of the authors/source and do not necessarily reflect the position of CSGLOBE or its staff.

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